Attachment B - NEA Reports and Notes Analyzing SPPA Results

Attachment B - NEA Reports and Notes Analyzing SPPA Results.doc

2012 Survey of Public Participation in the Arts

Attachment B - NEA Reports and Notes Analyzing SPPA Results

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Attachment C

NEA Reports and Notes Analyzing SPPA Results


AMS Planning & Research Corporation. American Participation in Theater. Santa Ana, CA: Seven Locks Press, 1996.

———. A Practical Guide to Arts Participation Research. Washington, D.C.: National Endowment for the Arts, 1995.

———. Summary Report: 12 Local Surveys of Public Participation in the Arts. Washington, D.C.: National Endowment for the Arts, 1993.

Aschaffenburg, Karen and Ineke Maas. "Cultural and Educational Careers: The Dynamics of Social Reproduction." American Sociological Review 62, no. 4 (August 1997): 573-87.

______. Attendance at Selected Cultural Venues and Events 2005-2006, Australian Bureau of Statistics, 2005-06

______. More Than Bums on the Seats: Australian Participation in the Arts, Prepared for the Australia Council for the Arts by Instinct and Reason: NSW, Australia, 2010.

Bergonzi, Louis, and Julia Smith. Effects of Arts Education on Participation in the Arts. Santa Ana, CA: Seven Locks Press, 1996.

Borgonovi, Francesca. "Performing Arts Attendance: An Economic Approach." Applied Economics 36, no. 17 (September 20 2004).

Bradburn, N.M., Reynolds, M.J. and Parks, K.E. "Poetry in America." Summary report. Chicago: Poetry Foundation, 2006.

Brudney, Jeffrey L. "Art, Revolution, and Arts Education." Society 27, no. 6 (September/October 1990): 17-20.

Bunting, Catherine, et al. From Indifference to Enthusiasm: Patterns of Arts Attendance in England, Arts Council England, 2008.

Chan, Tak Wing, et al. Have you ever wondered …: Taking Part Survey. Arts Engagement in England, Arts Council England, 2008.

Cherbo, Joni Maya, and Monnie Peters. American Participation in Opera and Musical Theater 1992. Santa Ana, CA: Seven Locks Press, 1995.

Close, Helen, and Robert Donovan. “Who’s My Market? A Guide to Researching Audiences and Visitors in the Arts.” The Australia Council: Sydney, Australia, 1998.

Collins, Paul. "Decline and Fall and Fall and Fall. In Our Minds and in Our Cars: Technology Killed the Literary Star--Again." The Village Voice (New York, NY), September 8 - 14 2004, News.

De Michiel, Helen. “Hacking the Policy Space.” National Alliance for Media Art and Culture. http://www.namac.org/node/25596, July 15, 2010.

Deveaux, Scott. Jazz in America: Who's Listening? Santa Ana, CA: Seven Locks Press, 1994.

DiMaggio, Paul and Bruce Western. "Adjusting for the Effects of Proxy Interviews on Estimated Participation Rates in the 2002 Survey of Public Participation in the Arts." Working Draft. Princeton University, 2005.

DiMaggio, Paul and Francie Ostrower. Race, Ethnicity, and Participation in the Arts. Santa Ana, CA: Seven Locks Press, 1992.

DiMaggio, Paul, and Francie Ostrower. "Participation in the Arts by Black and White Americans." Social Forces 68, no. 3 (March 1990): 753-79.

DiMaggio, Paul, and Toqir Mukhtar. “Arts Participation as Social Capital in the United States, 1982-2002: Signs of Decline.” Poetics, Volume 32, Issue 2, 169-194, April 2004.

Falk, John. "A Framework for Diversifying Museum Audiences: Putting Heart and Head in the Right Place." Museum News September/October 1995.

Felton, Marianne V. "On the Assumed Inelasticity of Demand for the Performing Arts." Journal of Cultural Economics 16, no. 1 (June 1992).

García-Álvarez Ercilia, Tally Katz-Gerro and Jordi López-Sintas, 2007, “Deconstructing Cultural

Omnivorousness: Heterology in Americans’ Musical Preferences,” Social Forces 86(2): 417-443.

Gray, Charles, M. Turning On and Tuning In: Media Participation in the Arts. Santa Ana, CA:

Seven Locks Press, 1995.

Heilbrun, James. "Growth, Accessibility and the Distribution of Arts Activity in the United States: 1980 to 1990." Journal of Cultural Economics 20, no. 4 (1996).

Heilbrun, James, and Charles Gray. The Economics of Art and Culture. Cambridge: Cambridge University Press, 1993.

Hendon, William S. "The General Public's Participation in Art Museums: Visitors Differ from Non-Visitors, But Not as Markedly as Case Studies Have Indicated." American Journal of Economics and Sociology 49, no. 4 (October 1990): 439-59.

Hill, Kelly. Reading at Risk: A Survey of Literary Reading in America. Washington, D.C.: National Endowment for the Arts, 2004.

______. International Comparisons of Arts Participation Data. International Federation of Arts Councils and Cultural Agencies. D’Art Topics in Arts Policy, no.2, November 2002.

______. “Critical Issues Facing the Arts in California: A Working Paper from The James Irvine Foundation.” AEA Consulting. 2006.

Kalmijn, Matthijs and Gerbert Kraaykamp. "Race, Cultural Capital, and Schooling: An Analysis of Trends in the United States." Sociology of Education 69, no. 1 (January 1996): 22-34.

Kaple, Deborah, et al. Data on Arts Organizations: A Review and Needs Assessment. Princeton, NJ: Center for Arts and Cultural Policy, 1996.

Kelly, John R., and Valeria J. Freysinger. 21st Century Leisure: Current Issues. Boston: Allyn & Bacon, 2000.

Kolb, Bonita M. "Pricing as the Key to Attracting Students to the Performing Arts." Journal of Cultural Economics 8, no. 1 (1997).

Kotler, Neil, and Philip Kotler. Museum Strategy and Marketing. San Francisco: Jossey Bass, 1998.

______. Culture Track 2007, LaPlaca Cohen and Discovery Communications.

Larson, Jan. "The Museum is Open." American Demographics November 1994: 32-38.

Lehman, Erin V. The Effect of Age on Arts Participation in the U.S.: 1982-1992. Washington, D.C.: National Endowment for the Arts, 1996.

Levine, Mindy, N. Invitation to the Dance: Audience Development for the Next Century: A Report to the National Task Force on Dance Audiences. Washington, D.C.: Dance USA, 1997.

Love, Jeffrey. Patterns of Multiple Participation in the Arts: An Analysis of 1982, 1985, and 1992 SPPA Data. Washington, D.C.: National Endowment for the Arts, 1995.


Luksetich, William A., and Mark D. Partridge. "Demand Functions for Museum Services." Applied Economics 29, no. 12 (December 1997).

Marsden, Peter V. and Joseph Swingle. "Conceptualizing and Measuring Culture in Surveys: Values, Strategies, and Symbols." Poetics 22 (1994): 269-89.

McCarthy, Kevin F., Elizabeth H. Ondaatje. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. Santa Monica, CA: RAND, 2005.

McCarthy, Kevin F., Elizabeth H. Ondaatje. Guide to the Literature on Participation in the Arts. Santa Monica, CA: RAND, 2001.

McCarthy, Kevin, and Kimberly Jinnett. A New Framework for Building Participation in the Arts. Santa Monica, CA: RAND, 2001.

McCarthy, Kevin, et al. The Performing Arts in a New Era. Santa Monica, CA: RAND, 2001.

Miringoff, Marque-Luisa, et al. Profile of Participation in Arts and Culture in New York City. Fordham Institute for Innovation in Social Policy, 2001.

National Endowment for the Arts. 1997 Survey of Public Participation in the Arts: Summary Report. Washington, D.C.: National Endowment for the Arts, 1999.

———. 2002 Survey of Public Participation in the Arts. Washington, D.C.: National Endowment for the Arts, 2004.

———. Arts Participation in America: 1982 - 1992. Washington, D.C.: National Endowment for the Arts, 1993.

———. Audience 2.0: How Technology Influences Arts Participation, Research Report #50. June

2010, from http://www.nea.gov/research/new-media-report/New-Media-Report.pdf


———. State and Regional Differences in Arts Participation: A Geographic Analysis of the 2008

SPPA, Research Note #99. December 2009, from http://www.nea.gov/research/Notes/99.pdf


———. 2008 Survey of Public Participation in the Arts, Research Report #49. November 2009,

from http://www.nea.gov/research/2008-SPPA.pdf


———. Art-Goers in Their Communities: Patterns of Civic and Social Engagement, Research

Note #98. October 2009, from http://www.nea.gov/research/Notes/98.pdf


———. Volunteering and Performing Arts Attendance: More Evidence from the SPPA, Research

Note #94. March 2007, from http://www.nea.gov/research/Notes/94.pdf


———. To Read or Not To Read: A Question of National Consequence, brochure. 2007, from

http://www.nea.gov/research/ToRead.pdf


———. The Arts and Civic Engagement: Involved in Arts, Involved in Life, brochure. 2006, from

http://www.nea.gov/pub/CivicEngagement.pdf


Orend, Richard J., and Carol Keegan. Education and Arts Participation: A Study of Arts Socialization and Current Arts-Related Activities Using 1982 and 1992 SPPA Data. Washington, D.C.: National Endowment for the Arts, 1996.

Orend, Richard, and Carol Keegan. Crossover Participation in the Arts: A Study of Audience Participation in Multiple Art Forms Activities Using 1992 SPPA Data. Washington, D.C.: National Endowment for the Arts, 1993.

O'Hagan, John. "Access to and Participation in the Arts: The Case of Those of Low Incomes/Educational Attainment." Journal of Cultural Economics 20, no. 4 (1996).

Ostrower, Francie. “The Diversity of Cultural Participation: Findings from a National Survey.” The Urban Institute, November 2005.

Peters, Mary G. and Joni Maya Cherbo. The Missing Sector: The Unincorporated Arts. Washington, D.C.: Heldref, 1998.

Peters, Monnie, and Joni Maya Cherbo. Americans' Personal Participation in the Arts: 1992, A Monograph Describing the Data from the Survey of Public Participation in the Arts. Washington, D.C.: National Endowment for the Arts, 1996.

Peterson, Richard A. and Roger M. Kern. "Changing Highbrow Taste: From Snob to Omnivore." American Sociological Review 61, no. 5 (October 1996): 900-07.

Peterson, Richard A., Pamela C. Hull, and Roger M. Kern. Age and Arts Participation: 1982-1997. Santa Ana, CA: Seven Locks Press, 1998.

Peterson, Richard, A, et al. Age and Arts Participation: With a Focus on the Baby Boom Cohort. Santa Ana, CA: Seven Locks Press, 1996.

Pettit, Becky. Resources for Studying Public Participation in the Arts. Princeton, NJ: Princeton University Center for Arts and Cultural Policy Studies, 1997.

Pettit, Becky, and Paul DiMaggio. “Public Opinion and Political Vulnerability: Why Has the National Endowment for the Arts Been Such an Attractive Target?” Working Paper #7, 1999 Princeton University, Center for Arts and Cultural Policy Studies.

Pettit, Becky, and Paul DiMaggio. “Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys.” Working Paper #5, 1998, Princeton University, Center for Arts and Cultural Policy Studies.

Putnam, Robert. Bowling Alone: The Collapse and Revival of American Community. New York: Simon and Schuster, 2000.

______. The Rebirth of Arts and Culture, The Michigan Council for Arts and Cultural Affairs and the Center for the Arts and Public Policy.

Robinson, John P. Arts Participation in America: 1982-1992. Washington, D.C.: National Endowment for the Arts, 1993.

———. "A Review: Survey Organization Differences in Estimating Public Participation in the Arts." The Public Opinion Quarterly 53, no. 3 (Autumn 1989): 397-414.

Robinson, John P., and Geoffrey Godbey. "Busyness as Usual." Social Research 72, no. 2 (Summer 2005): 407-26.

———. Time for Life: The Surprising Ways Americans Use Their Time. University Park, PA: Penn State University Press, 1997.

Robinson, John, Shawn Levin. "Computer Time; People with Computers at Home Use Them More Than 5 Hours a Week, on Average. But They Don't Cut Down on Other Leisure Activities, Including TV. Where Do They Find the Time?" American Demographics August 1998.

Rosenstein, Carole. "Diversity and Participation in the Arts: Insights from the Bay Area." Forthcoming Policy Brief. The Urban Institute, 2005.

Schuster, J. Mark. “Comparing Participation in the Arts and Culture.” From Tepper, Steven J., and Bill Ivey, Engaging Art: The Next Great Transformation of America's Cultural Life. Routledge, 2007.

Schuster, J. Mark. The Geography of Participation in the Arts and Culture. Santa Ana, CA: Seven Locks Press, 1998.

_______. Factors in Canadians’ Cultural Activities. Statistical Insights on the Arts, Vol. 6 No. 3. Hill Strategies Research, Inc. February 2008

_______. Power Point Presentation: Social Impacts of the Performing Arts: Is There Something Special About Performing Arts Attendance? Hill Strategies Research, Inc. November 2008.

Seaman, Bruce Alan. “Attendance and Public Participation in the Performing Arts: A Review of the Empirical Literature.” Andrew Young School of Policy Studies Research Paper Series No. 06-25. August 2005.

Stern, Mark and Susan C. Seifert. Cultural Participation and Communities: The Role of Individual and Neighborhood Effects. Philadelphia: University of Pennsylvania School of Social Work, 2000.

———. Individual Participation and Community Arts Groups. Philadelphia: University of Pennsylvania School of Social Work, 1994.

Tepper, Steven, and Yang Goa. “Engaging Art: What Counts?” Paper presented at the annual meeting of the American Sociological Association: New York, NY, Aug 10, 2007.

Tepper, Steven J. Making Sense of the Numbers: Estimating Arts Participation in America. Princeton, NJ: Princeton University, 1998.

Tobias, Sheila, and Shelah Leader. "Vox Populi To Music." Journal of American Culture 22, no. 2 (Winter 1999): 91-102.

Triplett, Timothy. “Can Your Spouse Accurately Report Your Activities? An Examination of Proxy Reporting.” Survey Practice, February 2010.

Upright, Craig Barton. “Social Capital and Cultural Participation: Spousal Influences on Attendance at Arts Events.” Working Paper #32, Winter 2003, Princeton University, Center for Arts and Cultural Policy Studies, 2003.

Walker, Chris, et al. Reggae to Rachmaninoff: How and Why People Participate in Arts and Culture. Washington, D.C.: The Urban Institute, 2000.

———. Community Partnerships for Cultural Participation: Concepts, Prospects, and Challenges: Early Findings Report. Washington, D.C.: The Urban Institute, 1999.

Waterman, David, Russell Schechter, and Noshir S. Contractor. "Overcoming Barriers to the Live Arts: Can the Media Compensate?" Journal of Cultural Economics 15, no. 2 (December 1991): 19-40.

Zakaras, Laura, and Julia F. Lowell. “Cultivating Demand for the Arts: Arts Learning, Arts Engagement, and State Arts Policy.” The Wallace Foundation. RAND Corporation: Santa Monica, CA, 2005.

Zaltman, Gerald, et al. Understanding Peoples' Thoughts and Feelings About the Arts. Pittsburgh: Report prepared for the Howard Heinz Endowment, 1998.

Zill, Nicolas and John Robinson. "Name That Tune." American Demographics August 1994: 22-

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