3135-0112 Our Town Grant Application Form and Instructions

Blanket Justification for National Endowment for the Arts Funding Application Guidelines and Requirements

Our Town Grant Application Form and Instructions

Blanket Justification for Arts Endowment Funding Application Guidelines and Requirements for Nonprofit Organizations

OMB: 3135-0112

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Our Town

FY24 Application Instructions
Introduction and Calendar .............................................................................................................. 2
Part 1: Submit the Application for Federal Domestic Assistance/ Short Organizational Form to
Grants.gov ....................................................................................................................................... 3
Step 1: Complete the Form ......................................................................................................... 3
Step 2: Submit the form via Grants.gov’s Workspace ................................................................ 6
Step 3: Confirm Application Submission..................................................................................... 6
Part 2: Submit the Grant Application Form through the Applicant Portal ..................................... 7
Access the Applicant Portal ........................................................................................................ 7
Fill out the Grant Application Form ............................................................................................ 8
Tab 1: View Application Data .................................................................................................. 9
Tab 2: Organization Info ......................................................................................................... 9
Subtab 1: Organization Details ........................................................................................... 9
Subtab 2: Organization Budget ......................................................................................... 11
Tab 3: Programmatic History ................................................................................................ 12
Tab 4: Project Details ............................................................................................................ 13
Subtab 1: Project Activity.................................................................................................. 13
Subtab 2: Project Participants—Individuals & Partners ................................................... 14
Subtab 3: Additional Project Details ................................................................................. 17
Tab 5: Project Locations ........................................................................................................ 19
Tab 6: Project Budget............................................................................................................ 20
Budget Worksheet ............................................................................................................ 20
Filling out the budget in the Applicant Portal................................................................... 20
Project Budget Guidance .................................................................................................. 20
Visible on Both Subtabs .................................................................................................... 21
Subtab 1: Project Expenses ............................................................................................... 21
Subtab 2: Project Income .................................................................................................. 25
Tab 7: Items to Upload.......................................................................................................... 27
Tab 8: Organization & Project Data ...................................................................................... 32
Submit the Grant Application Form ...................................................................................... 37
Project Updates .................................................................................................................... 38

OMB No. 3135-0012 Expires TBD
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FY24 Application Instructions

Introduction and Calendar
An Our Town application consists of two parts:
Part 1: Submit the Application for Federal Domestic Assistance/Short Organizational Form
to Grants.gov
•

Collects basic information about your organization. You must successfully complete Part
1 in order to have access to Part 2.

Part 2: Submit the Grant Application Form through the NEA’s Applicant Portal
•

Collects the remainder of your application, including:
o Answers to narrative questions about your organization and project,
o Budget information about your organization and project,
o Information about key individuals and partners, and
o Work samples.

This document will walk you through how to submit both parts of the application.
Submission Deadlines:
All deadline times are Eastern. Be sure to double check the deadline time based on your time
zone.
Deadline
Part 1: Grants.gov

TBD, 2023 at 11:59 pm ET

Part 2: Applicant
Portal window

From 9 am ET on TBD through 11:59
pm ET on TBD, 2023

Applicant Portal access will only be available during the dates listed above for Part 2. You will
not be able to access the portal until the first day in the window.

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FY24 Application Instructions: Part 1

Part 1: Submit the Application for Federal Domestic Assistance/ Short
Organizational Form to Grants.gov
You will use Grants.gov Workspace to complete Part 1 in Grants.gov. For a detailed guide on
how to use Workspace, see here.
1. Access the application package on the How to Apply page by clicking on the link found
under “All Applicants: Go to the Grant Opportunity Package.” This will take you directly
to the pre-populated application package in Grants.gov.
2. The Grants.gov “View Grant Opportunity” screen will open, click the red “Apply” button.
3. You will be prompted to log in. In order to create the Workspace application, you must
be logged into Grants.gov with a participant role of either Workspace Manager or
Authorized Organization Representative (AOR). More information on participant roles
can be found here.
4. After logging in, to create a Workspace application:
a. Fill in the Application Filing Name field with your organization name, then
b. Click the Create Workspace button.
5. After creating a Workspace, you will be directed to the Manage Workspace page, where
you can begin working on the application.
Reminder: Grants.gov is a government-wide portal, and NEA staff does not have control of, or
administrative access to, the site. If you run into technical issues with grants.gov, please contact
grants.gov directly at 1-800-518-4726 or via email [email protected]. The Grants.gov Contact
Center is available 24 hours a day, 7 days a week.

Step 1: Complete the Form
All asterisked (*) items and yellow fields on this form are required and must be completed
before you will be able to submit the form. Do not type in all capital letters when completing
the form. Enter information directly into the form. Do not copy from an old Application for
Federal Domestic Assistance/Short Organizational Form or another document and paste into
the form.
EMAILS: Due to restrictions from the Department of Homeland Security we are not able to send
emails to alias addresses that forward to another email account. Do not enter this type of email
address.
1. Name of Federal Agency: Pre-populated.
2. Catalog of Federal Domestic Assistance Number: Pre-populated.
3. Date Received: This will be filled automatically with the date that you submit your
application; leave blank.
4. Funding Opportunity Number: Pre-populated.
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FY24 Application Instructions: Part 1
5. Applicant Information:
a. Legal Name: The name provided here must be the applicant's legal name as it appears in
the current IRS 501(c)(3) status letter or in the official document that identifies the
organization as a unit of state or local government, or as a federally recognized tribal
community or tribe. (Do not use your organization's popular name, if different.)
If you are a parent organization that is applying on behalf of an eligible independent
component, do not list the name of the independent component here. You will be asked for
that information in Part 2.
b. Address: Use Street 1 for your organization’s physical street address. This address must
be identical to the physical address that you used with SAM (System for Award
Management). Only use Street 2 for your organization’s mailing address if it differs from the
SAM physical street address.
In the Zip/Postal Code box, organizations in the United States should enter the full 9-digit
zip code that was assigned by the U.S. Postal Service. If you do not know your full zip code,
you may look it up at https://tools.usps.com/zip-code-lookup.htm.
d. Type of Applicant: Select the item that best characterizes your organization from the
menu in the first drop down box. Additional choices are optional.
e. Employer/Taxpayer Identification Number (EIN/TIN): Enter the 9-digit number that was
assigned by the Internal Revenue Service; do not use a Social Security Number.
f. Organizational UEI: All organizational applicants for federal funds must have a UEI. Enter
your organization’s UEI here. You can find your UEI in your System for Award Management
(SAM) record. If you cannot locate your UEI, contact SAM for assistance. NOTE: Do not enter
a DUNS number here. The UEI you enter here must match the UEI associated with your
organization’s SAM (System for Award Management) record that was used as part of your
Grants.gov registration. Otherwise, your application will not be validated by Grants.gov
and will be rejected.
g. Congressional District: Enter the number of the Congressional District where the
applicant organization is physically located. The Congressional District that you enter here
must match with the Congressional District that shown in the Business Information section
of your organization’s SAM (System for Award Management) record.
Use the following format: 2-character State Abbreviation-3 character District Number. For
example, if your organization is located in the 5th Congressional District of California, enter
"CA-005." If your state has a single At-Large Representative or your jurisdiction has a single
Delegate, enter your 2 character state/jurisdiction abbreviation and "-000." If you need help
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FY24 Application Instructions: Part 1
determining your district, go to www.house.gov and use the "Find Your Representative"
tool.
6. Project Information:
a. Project Title: Enter “N/A.” Any other text entered here will not be used in the review of
your application.
b. Project Description: Enter “N/A.” Any other text entered here will not be used in the
review of your application.
c. Proposed Project Start Date/End Date: Enter the beginning and ending dates for your
requested period of performance, i.e., the span of time necessary to plan, execute, and
close out your proposed project. Our support of a project may begin no earlier than TBD,
2024. The start date should be the first day of the month, and the end date should be the
last day of the month.
7. Project Director:
Provide contact information, including an email address that will be valid through the
announcement date for your category. Optional: Select a Prefix (e.g., Ms., Mr.)
8. Primary Contact/Grant Administrator:
Provide the requested information for the individual who should be contacted on matters
involving this application and the administration of any grant that may be awarded. For
colleges and universities, this person is often a Sponsored Research, Sponsored Programs,
or Contracts and Grants Officer. For the Telephone number field, use the following format:
000-000-0000. Optional: Select a Prefix (e.g., Ms., Mr.)
This individual may be the same as the Project Director. If this is the case, you may check
the "Same as Project Director" box and not repeat information that you have already
provided in Item 7. If the Primary Contact/Grant Administrator is the same as the
Authorizing Official, complete all items under both 8 and 9 even though there will be some
repetition.
9. Authorized Representative:
Enter the requested information for the AOR (Authorized Organization Representative) who
is authorized to submit this application to Grants.gov. Optional: Select a Prefix (e.g., Ms.,
Mr.)
The AOR must have the legal authority to obligate your organization (e. g., be a senior
member of the staff such as an Executive Director, Director of Development). See specific
requirements for who can serve as an AOR for colleges and universities.
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FY24 Application Instructions: Part 1
Contractors/consultants, including grant writers, or administrative support staff cannot
serve as an AOR.
NOTE: By clicking the "I Agree" box at the top of Item 9, this individual will be certifying
compliance with relevant federal requirements on your organization's behalf. These
requirements can be found in the Assurance of Compliance section of these guidelines.
The "Signature of Authorized Representative" and "Date Signed" boxes will be populated by
Grants.gov upon submission of the application.

Step 2: Submit the form via Grants.gov’s Workspace
Be certain that you are satisfied with your Application for Federal Domestic Assistance/Short
Organizational Form before you click submit. No revisions to your form are possible through
Grants.gov once it is submitted.
We strongly suggest that you submit your application well before the deadline to provide ample
time to resolve any problems you might encounter.
Navigate to the Forms tab on the Manage Workspace page:
•

•
•

Once the form is filled out and the Form Status column says "Passed," it will be ready
for submission.
o Important note: The status “Forms Passed” does NOT indicate that your
application has been submitted, only that your forms have been filled out. You
still need to click the Sign and Submit button after receiving the “Forms Passed”
status. For more information, review the Forms Tab help article.
Click Complete and Notify AOR, which will notify the user(s) with the AOR role that the
workspace is ready to submit.
The AOR must click Sign and Submit to submit the application. Detailed instructions can
be found here.

After the AOR submits the application, they will see a confirmation screen explaining that the
submission is being processed. Take a screenshot and retain the Grants.gov Tracking Number
that you receive in the application submission confirmation screen.

Step 3: Confirm Application Submission
Verify that the application was validated by the Grants.gov system. Take a screenshot of the
validation confirmation for your records.
You can track the progress of your application submission through Grants.gov in one of three
ways:
•

Check the progress bar in Workspace. When your application has been successfully
received, the bar will be green, and a check mark will appear in each bubble.
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FY24 Application Instructions: Part 1
•

When logged in to Grants.gov, click the Check Application Status link under the
Applicants drop-down menu and search for the submitted application.

•

When not logged in to Grants.gov, go to Track My Application and enter your Grants.gov
Tracking Numbers. Then click the Track button to see the status listings of the valid
tracking numbers entered. This function will only work if you have a tracking number.

For more information about checking Grants.gov application status and a complete list of
statuses, see here.
Do not wait until the day of the deadline to verify your submission in case you encounter any
difficulties. Failure to successfully submit the Application for Federal Domestic Assistance/Short
Organizational Form through Grants.gov will make you ineligible to complete Part 2 of the
application process.

Part 2: Submit the Grant Application Form through the Applicant Portal
You will only be able to complete Part 2 of the Grants for Arts Projects application process if
you have successfully submitted Part 1 of the application to Grants.gov by the appropriate
deadline.
You will not have access to the Applicant Portal until the Part 2 application window opens as
described in the calendar. However, we urge you to use this document to prepare your
responses and material well in advance so you will have them ready to upload once the
system opens.
The Applicant Portal is an NEA administered site, if you run into technical issues, please reach
out to your designated program specialist.

Access the Applicant Portal
Log on to the Applicant Portal at: https://applicantportal.arts.gov
•

•

User Name = Grants.gov Tracking Number (Example: "GRANT38906754")
o Your Grants.gov tracking number is assigned to you by Grants.gov at the time you
submit Part 1 of your application.
o A confirmation screen will appear in Grants.gov once your submission is complete.
o Your Grants.gov tracking number will be provided at the bottom of the screen.
Password = Agency Tracking Number/NEA Application Number (Example: "1425736")
o The NEA assigns the number to your application 1-2 business days after you submit
Part 1 of your application.
o Log on to Grants.gov.
 Under Grant Applications, select Check Application Status.
 Look for your Grants.gov Tracking Number and select Details under the Actions
column.
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FY24 Application Instructions: Part 2
You’ll be taken to the Submission Details screen to find your Agency
Tracking#/NEA Application Number.
o NOTE: Check Application Status is a separate feature from Track My Application at
Grants.gov.


The User Name and Password can only be used by one person at a time in the Applicant
Portal. If multiple people use the User Name and Password at the same time to work on an
application, data will be lost.
Technical notes for using the Applicant Portal:
• The Applicant Portal is best viewed in the following browsers: Chrome 58+, Firefox 54+,
or Microsoft Edge 44+. You should only open the Applicant Portal in one browser at a
time to enter information. Cookies and JavaScript may need to be enabled for you to
successfully view the site. You might also need to disable AdBlocker and/or similar
software.
•

Most problems can be solved by changing your browser.

•

Be sure to first copy and paste any text into Notepad (if you’re using a PC) or TextEdit (if
you’re using a Mac) before copying it into the Applicant Portal. This will strip away any
HTML coding that may add unwanted additional characters to text (however, any
formatting you had will be deleted). These additional characters can be added due to
some special characters such as ampersands, quotation marks, apostrophes, and angle
brackets.

•

Limit character counts by using a solution other than special characters (e.g., instead of
using quotation marks for titles of works, put them in italics), using only one space at
the end of sentences, and limiting the use of tabs.

•

Click “Save” and log off if you plan to leave the Applicant Portal with work in progress.
Your session will deactivate after a period of time and you could lose content.

•

You may use the “Print” function in the upper right corner to create a printable version
of your application at any point during the application process. You may save this as a
separate file by either choosing “Save as PDF” from your print dialogue box, or by
copying and pasting into a separate document. We strongly recommend that you save a
final copy right after you click Submit.

•

View the Grant Application Form Tutorial to assist you in completing the online form.

Fill out the Grant Application Form
The Grant Application Form in the Applicant Portal has eight tabs, some of which have sub-tabs.
Required items are denoted with an asterisk (*) throughout this document.
When filling out the Grant Application Form, you must adhere to the character count limit in
each section. Do not include hyperlinks, unless specifically requested in the instructions
below. Unsolicited hyperlinks will not be reviewed.
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Tab 1: View Application Data
This section is the first screen you will see when you open the Grant Application Form. It cannot
be edited. If you find any incorrect information on this page, contact the staff.

Tab 2: Organization Info
Eligible applications must have partnerships that involve two primary partners: a nonprofit
501(c)(3) organization and a local governmental entity (local government is defined below in
'further guidance'). Additionally, one of the two primary partners must be a cultural (arts or
design) organization. The lead applicant may be either the nonprofit (with documented threeyear history of programming) or the local government entity. Note that a statement of support
from the highest ranking official for the local government participating in the project is an
application requirement. See “Items to Upload” for more information.

Subtab 1: Organization Details
The lead applicant will be asked to provide the following information in this section:
LEGAL/IRS NAME*: Must match the Organization name you entered in the Application for
Federal Domestic Assistance/Short Organizational Form
POPULAR NAME: If different from the Organization’s Legal/IRS name
FOR THIS APPLICATION, ARE YOU SERVING AS THE PARENT OF AN INDEPENDENT
COMPONENT
Drop-down selection: Yes/No
Before choosing, see the definition of official Independent Component status.
If you select Yes: Enter the name of the component.
YEAR FOUNDED*: Enter the year your organization was founded.
MISSION OF YOUR ORGANIZATION*
Text box: 500 character limit, including spaces
Briefly summarize the mission of your organization. For non-arts organizations (e.g., local
government, universities, human service agencies), summarize your mission as it pertains to
your commitment to integrating arts/culture/design activities in your proposed project.
ORGANIZATIONAL BACKGROUND*
Text box: 2,000 character limit, including spaces

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Describe your organization’s history and operations. This may include, but need not be limited
to, a description of the following elements:
•
•
•

Historical or cultural background of your organization and/or its communities served;
Information about your organization’s staff or governance; and
Current or recent efforts to improve engagement with historically underserved
groups/communities and/or to advance opportunities for their inclusion in your
organization. (For the purpose of this question, underserved groups include populations
whose opportunities have been limited by factors such as their geography, race or
ethnicity, economic status, and/or disability.)

ROLE OF LEAD APPLICANT*
Text box: 500 character limit, including spaces
How will they lead the partnership and facilitate the execution of the project?
Further Guidance on Organization Information:
The lead applicant must meet the eligibility requirements, submit the application, and assume
full responsibility for the grant.
Make sure that the lead applicant listed on the Grants.gov Application for Federal Domestic
Assistance/Short Organizational Form is the same as the lead applicant listed on the Grant
Application Form in the Applicant Portal. For example, if the City of Boston is listed as the lead
applicant on the Grants.gov Application for Federal Domestic Assistance/Short Organizational
Form, the City of Boston should be listed as the lead applicant on the Grant Application Form in
the Applicant Portal and noted as such in the answers to all narrative questions.
Eligible lead applicants are:
Local governments. For the purposes of these guidelines, local governments are defined as
counties, parishes, cities, towns, villages, or federally recognized tribal governments. Local arts
agencies or other departments, agencies, or entities within an eligible local government may
submit the application on behalf of that local government. The following do not qualify as local
governments: state level government agencies, other state-designated entities, state higher
education institutions, regional governments and entities, quasi-government organizations,
regional planning organizations, city council or alderman offices, and business improvement
districts.
U.S. territories. If no local government exists, the territory government can serve as the local
government.
Nonprofit tax-exempt 501(c)(3). U.S. organizations with a documented three-year history of
programming.
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To be eligible, the lead applicant organization must:
1. Have completed a three-year history of programming prior to the application deadline.
2. Meet the NEA’s "Legal Requirements," including nonprofit, tax-exempt status, at the
time of application.
3. Have a commitment to the project from the local government, as demonstrated by the
required formal statement of support for the project from the highest ranking official of
the local government participating in the project.

Subtab 2: Organization Budget
The Organization Budget is a webform, you will fill out each field in the Applicant Portal. The
form will appear as follows:

Organization Budget Form (see below for guidance)

FY End Date

Most Recently
Completed FY

Previous FY

Two FY’s Prior

MM/DD/YY

MM/DD/YY

MM/DD/YY

Income

$

$

$

Expenses

$

$

$

Operating Surplus/Deficit

Autofills from above

Autofills from above

Autofills from above

This is intended to show your organization's fiscal activity as it relates to operations. Do not
include activity related to a capital campaign (such as raising money for a new facility, an
endowment fund, or a cash reserve fund). We may request additional information to clarify an
organization's financial position. The figures you submit are subject to verification by the
National Endowment for the Arts.
FISCAL YEAR END DATE* Indicate the end date for each of your organization’s three most
recent fiscal years using the calendar drop down.
INCOME*: Enter your organization’s income for each fiscal year. Unaudited figures are
acceptable. Income sources may include earned revenues such as those that are received
through the sale of goods, services performed, or from investments, as well as contributed
funds, such as gifts, grants, loans, and in-kind contributions.

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EXPENSES*: Enter your organization’s total operating expenses for each fiscal year. Unaudited
figures are acceptable. Expenses may include salaries and fees, production/exhibition expenses,
services, and administrative costs, among others.
OPERATING SURPLUS/DEFICIT: These fields will automatically populate based on the figures
you input for income and expenses.
FISCAL HEALTH*
Text box: 750 character limit, including spaces
Discuss the fiscal health of your organization. You may use this space to discuss how the COVID19 pandemic may have affected your organization’s budget. In addition, you must explain:
1. Any changes of 15% or more in either your income or expenses from one year to the
next, and
2. Plans for reducing any deficit (include factors that contributed to the deficit and its
amount).
For independent components, you may use the space to discuss the fiscal health of the
component and to explain the relationship that it has with the larger entity (e.g., "museum
guards and utilities paid for by university").

Tab 3: Programmatic History
Lead Applicant Programmatic Activity. Submit representative examples of your programmatic
activities for three recent years/seasons prior to the application deadline. This programming is
not required to have taken place during consecutive years/seasons.
These examples should demonstrate eligibility (i.e., your organization's three-year history of
programming) and the artistic excellence and artistic merit of your organization. This section
must show the eligibility of the Lead Applicant; however, if applicable, you may also show
activities undertaken by the Primary Partner as well. (750 Character Limit, including spaces, is
available for each year/season.)
YEAR*
3 Fields: 4 character limit each
REPRESENTATIVE EXAMPLES*
3 Text boxes: 750 character limit each, including spaces
Providing information in bulleted or list form is acceptable. Do not submit this information as
a separate work sample.

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Tab 4: Project Details
Subtab 1: Project Activity
PROJECT SYNOPSIS*:
Text box: 200 character limit, including spaces
Provide a brief synopsis for your proposed arts project. For example: “To support the ‘ABC
Project’, which will XYZ”.
PROJECT BACKGROUND AND LOCAL CONTEXT*
Text box: 1,000 character limit, including spaces
Use this section to describe any background information and local context relevant to the
project. What is the community challenge or need this project seeks to address? Share any
relevant context about community needs, vision for the future, and evidence of community
demand for the project. Describe broader information about the place and origin of the
proposed project, including how it relates to any formal community plans or processes that
proposed project aligns with or supports.
PROJECT DESCRIPTION*
Text box: 3,000 character limit, including spaces
Describe your project and goals. Demonstrate a specific role for arts, culture, and design to
advance local economic, physical, and/or social outcomes in a specific place. Competitive
projects pilot new proposed activities and establish new (or deepen existing) cross-sector
partnerships, while also demonstrating how they lay the groundwork for long-term systems
change. The project description should respond to the local community context and articulated
challenge or need. Be as specific as possible about the activities taking place during the one- to
two-year NEA-supported phase of your project. This section should help to identify your
strategies why this is the right arts and culture project, at the right time, in the right place.
1. Identify which one or more of the 5 Collective Impact components comprised your
project. Select one or more options.
o Data
o Cross-sector partnerships
o Planning
o Shared measurement
o Programming
For more information about what may not be included in a project, see the Unallowable
Activities/Costs section of our website.
KEY PROJECT DELIVERABLES AND/OR WORKS OF ART*
Text box:1,000 character limit, including spaces

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Briefly describe any anticipated outputs and/or project deliverables and/or works of art that
will be created through the project. Where key works of art to be created are not yet
determined, describe the process that will guide that determination. (1000 Character Limit,
including spaces)
SHORT TERM SUCCESS AND LOCAL IMPACTS*
Text box: 750 character limit for each question, including spaces
What successes or local impacts do you anticipate by the end of the project period? Describe
any anticipated local social, physical or social changes resulting from your project.
LONG TERM SYSTEMS CHANGE*
Text box: 750 character limit for each question, including spaces
How do you anticipate this proposed project will help to integrate arts/culture/design into local
systems that strengthen communities, beyond the project period? (Examples of system change
may include: Improvements to community capacity to sustain the integration of arts, culture,
and design into strategies for local impact; establishment of new and sustained cross-sector
partnerships; shifts in institutional structure, practices, or policies; replication or scaling of
innovative project models; transforming schools and communities by providing access and
engagement in the arts for all students; (and/or) fundamental culture change in which
communities value arts education; increases in community & civic engagement for youth; or
establishment of training programs).

Subtab 2: Project Participants—Individuals & Partners
Individuals

SELECTION OF KEY INDIVIDUALS*
Text box: 750 character limit for each question, including spaces
Briefly describe the process and criteria for the selection of key staff, consultants, advisors,
artists, designers – anyone who will be a key contributor to the success of your proposed
project, regardless of their organizational affiliation–that will be involved in this project. Where
relevant, describe their involvement in the development of the project to date. If you are
applying for a project for which the key individuals are not yet identified, describe the process
for selecting them, i.e., open submissions, reading committee, selection by the artistic director,
etc., and the qualifications you seek. (750 Character Limit, including spaces)
BIOS OF KEY INDIVIDUALS*
Include brief, current biographies of the key individuals. You may include up to 10.
• Last Name. (Use this field for artistic group names or single names)
• First Name.
• Proposed or committed? Select answer from drop-down.
• Project Role.
• Title.
• Bio. (500 Character Limit, including spaces)
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Partners

Partnership across sectors (arts and non-arts, government and nonprofit) are critical inputs to
help lay the groundwork for systems change. Genuine collaborative partnership helps to ensure
expertise can be brought to bear on the project, community engagement with stakeholders is
strong, and policy barriers are minimized to sustain the integration of arts/culture/design into
approaches to strengthen community over the long term.
Primary Partner
Provide the following information on the primary partner:
Primary Partner Legal Name*
Primary Partner Popular Name (if different)
Primary Partner's Taxpayer ID Number* (9-digit number)
Primary Partner Date Organization Was Incorporated: (if applicable)
Organization Type*
From the drop down Menu, please choose the one category that best describes the partner
organization. For definitions and lists of minority-serving institutions, please refer to the U.S.
Department of Education website.
Drop down list:
o College/University, Alaska Native and Native Hawaiian Serving Institutions
(AANH)
o College/University, Hispanic Serving Institutions (HSI)
o College/University, Historically Black College or University (HBCU)
o College/University, Tribal College or University (TCU)
o Other College/University
o Government - State
o Government - Regional
o Government - County
o Government - Municipal
o Government - Tribal
o Organization - Arts Nonprofit
o Organization - Arts For-Profit
o Organization - Other Nonprofit
o Organization - Other For-Profit
o Correctional Institution
o Foundation
o Healthcare Facility (e.g., hospital, clinic, or nursing home)
o K-12 School/School District
o Mass Transit
o Military Base
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o
o
o
o

Public Library
Religious Organization
TV or Radio Station or other Media Organization
Other; please specify: __

MISSION/PURPOSE OF PRIMARY PARTNER ORG*
Text box: 750 character limit for each question, including spaces
Briefly summarize the mission and purpose of your primary partner's organization. If your
partner is a non-arts organizations (e.g., local government, universities, human service
agencies), summarize your mission as it pertains to your commitment to integrating
arts/culture/design activities in your proposed project.
PRIMARY PARTNER ORG ROLE*
Text box: 1000 character limit for each question, including spaces
Briefly describe your primary partner organization’s involvement in co-designing, planning, and
executing the project including programming, management, finances, and any responsibilities
for providing cost share/matching funds for the NEA grant. Be specific; do not provide a general
statement of support for the project.
Additional Partners/Community Collaborators
SELECTION PROCESS
Text box: 750 character limit for each question, including spaces
An additional partner/collaborator is any outside entity that will provide resources (other than
money) to support the project. Describe the past or planned role of additional partners in the
project. Where they remain to be selected, describe the selection procedures that you plan to
follow and the qualifications that you seek.
DESCRIPTION OF ADDITIONAL PARTNERS
Text box: 500 character limit for each, including spaces
Include brief, current descriptions of the key additional partners and their proposed role in the
project. You may include up to 10.
• Organization Name.
• Proposed or Committed?
• Organization Type
From the drop down Menu, please choose the one category that best describes the
partner organization. For definitions and lists of minority-serving institutions, please
refer to the U.S. Department of Education website.
Drop down list:
o College/University, Alaska Native and Native Hawaiian Serving Institutions
(AANH)
o College/University, Hispanic Serving Institutions (HSI)
o College/University, Historically Black College or University (HBCU)
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o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o

College/University, Tribal College or University (TCU)
Other College/University
Government - State
Government - Regional
Government - County
Government - Municipal
Government - Tribal
Organization - Arts Nonprofit
Organization - Arts For-Profit
Organization - Other Nonprofit
Organization - Other For-Profit
Correctional Institution
Foundation
Healthcare Facility (e.g., hospital, clinic, or nursing home)
K-12 School/School District
Mass Transit
Military Base
Public Library
Religious Organization
TV or Radio Station or other Media Organization
Other; please specify: __

Further Guidance on Additional Partners
Additional partners are encouraged and may include an appropriate variety of entities such
as arts organizations and artists, design professionals and design centers, state level
government agencies, foundations, nonprofit organizations, educational institutions, real
estate developers, business leaders, community organizations, council of governments,
rural planning organizations, transportation agencies, special districts, educational
organizations, as well as public and governmental entities; and should engage in partnership
with other sectors (such as agriculture and food, economic development, education and
youth, environment and energy, health, housing, public safety, transportation, and
workforce development).
Other Additional Partners do not need to be registered 501(c)(3) or government entities,
though they certainly can be.

Subtab 3: Additional Project Details
PROPOSED PROJECT START DATE/END DATE
Calendar selections:
PROJECT START DATE: (MM-DD-YYYY)*
PROJECT END DATE: (MM-DD-YYYY)*

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Our support of a project may start on or after TBD, 2024
Enter the beginning and ending dates for your requested period of performance (period of
support), i.e., the span of time necessary to plan, execute, and close out your proposed project.
The start date must be the first day of the month, and the end date must be the last day of the
month. Your application will not validate if the start or end dates are incorrect.
Generally, a period of performance of up to two years is allowed. The two-year period is
intended to allow an applicant sufficient time to plan, execute, and close out its project, not
to repeat a one-year project for a second year. Your budget should include only the activities
and costs incurred during the requested period of performance. The dates you enter here will
be used in the review of your application.
SCHEDULE OF KEY PROJECT DATES*
Text box: 1,500 character limit, including spaces
Provide a timeline of when activities from the Project Description will occur. Be sure to include
when key artistic decisions will be made, project phases, and events, as applicable. If, for
context, you describe activities that occur outside of the period of performance, indicate by
adding an asterisk (*). Only include costs in your Project Budget that take place during the
period of performance.
PERFORMANCE MEASUREMENT*
Text box: 1,000 character limit, including spaces
Briefly describe the performance measurements and any data, metrics and/or indicators you
will use to monitor progress toward your project goals, including both the short-term local
impacts and long-term systems change.
Note: If your project involves directly collecting sensitive data from program participants, such
as personally identifiable information or data from vulnerable populations, and you are
recommended for a grant, the NEA may conduct a review of your project to ensure it complies
with our general guidance regarding the responsible conduct of research. See: Responsible
Conduct of Program Evaluation.
INTENDED COMMUNITY AND PARTICIPANTS*
Text box: 1,500 character limit, including spaces
Describe the intended communities and participants involved in the project activities, and how
they will benefit. Include demographics of your intended communities and/or participants.
Provide details about meaningful and substantive engagement with these communities and
participants (e.g., residents and other stakeholders) in the development of the shared vision for
your project and its implementation. If you have worked with this community in the past,
discuss your previous engagement efforts. Also, discuss your planned process to engage the
community going forward.
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Where applicable, describe how this project will engage individuals whose opportunities to
experience the arts have been limited by factors such as their geography, race or ethnicity,
economic status, and/or disability.
As a reminder, in the federal-funding context, a focus on a particular group or demographic is
permissible, but exclusion is not. Please review the NEA Civil Rights guidance on our website
including the NEA Civil Rights webinar, Things to Know Before You Apply: Federal Civil Rights
and Your Grants Application.
POPULATION OF YOUR TOWN/CITY/TRIBAL LAND*
List the population of the Town/City/Tribal Land where project activities will be taking place.

Tab 5: Project Locations
Add Project Location*: Provide the city, state, and five-digit zip code in which project activities
are expected to occur. You may submit up to 100 locations.
Alternatively, you will have the option to upload multiple locations at once using a
downloadable spreadsheet that can be filled out with your specific locations.

Further Guidance on Project Locations:
To be eligible, applications must include a commitment to the project from the local
government, as demonstrated by the required formal statement of support for the project from
the highest ranking official of the local government participating in the project. Applications
without the required formal statement of support will be considered incomplete and will not be
reviewed.
If this project happens in more than one location, you are required to submit letters of support
from the highest-ranking officials in each project location with your application.

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Tab 6: Project Budget
Budget Worksheet
You may use the budget worksheet [LINK] to prepare your project budget in advance. The
worksheet includes a tab with example amounts in each section, these amounts are for
demonstration purposes only, and should not be interpreted as cost allocation guidance from
the NEA. DO NOT UPLOAD THE WORKSHEET TO THE APPLICANT PORTAL. You must complete
the project budget webform within the portal in order for your application to be accepted for
review.

Filling out the budget in the Applicant Portal
The project budget is a webform, with each item description and amount in its own field. The
form will auto-calculate each section, as well as the overall totals. The number of lines available
in each section is static – you cannot add additional lines.
You will be asked to provide an estimated project budget that consists of:
•

Subtab 1: Project Expenses: A breakdown of all project expenses that will be supported
with both the NEA Requested Amount and your cost share/matching funds. Review
Unallowable Activities/Costs for a list of costs that cannot be included in your project
budget.

•

Subtab 2: Project Income: The combined total of the amount you are requesting from
the NEA and how you plan to meet the minimum 1:1 cost share/match requirement.

Project Budget Guidance
You must request a grant amount at one of the following levels: $25,000, $50,000, $75,000,
$100,000, or $150,000. We will award very few grants at the $150,000 level; these will be only
for projects of significant scale and impact. If you are recommended for less than the amount
that you request, you will be asked to revise your project budget. The NEA reserves the right to
limit its support of a project to a particular portion(s) or cost(s). Any requests below $25,000
will be deemed ineligible and will not be reviewed.
Applicants are required to demonstrate a minimum 1:1 non-federal Cost Share/Match. For
example, if you are requesting the lowest amount of $50,000, you must show a minimum of
$50,000 in Cost Share/Matching, and your total project expenses must be at least $100,000.
You may use the budget notes section to provide further details on the entire scope of your
project budget not represented in the budget form.
Cost Share/Matching funds do not need to be secured at the time of application, but you will be
asked to provide anticipated sources in the Project Income section of the project budget. Cost
Share/Match may be cash, documented in-kind contributions, or a combination of both.

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The costs included in your project budget should align with your proposed activities, and only
include activities and associated costs that will be incurred during the "Period of Performance,"
i.e., the span of time necessary to plan, execute, and close out your proposed project. Any costs
incurred before or after those dates will be removed. Be as specific as possible.
All items in your budget, whether supported by NEA funds or your cost share/matching funds,
must be reasonable, necessary to accomplish project objectives, and allowable in terms of the
NEA’s General Terms and Conditions.
Applicants whose projects are recommended for grants will be asked to provide an updated
project budget.
NOTE: Organizations cannot receive more than one National Endowment for the Arts grant for
the same expenses. This budget cannot include project costs that are supported by any other
federal funds or their cost share/match, including costs that may be included in applications
submitted, or grants received, by partner organizations or presenters.

Visible on Both Subtabs
TOP OF PAGE: AMOUNT REQUESTED FROM THE NEA*
Enter the grant amount you are requesting. You must request a grant amount at one of the
following levels: $25,000, $50,000, $75,000, $100,000, or $150,000. We will award very few
grants at the $150,000 level; these will be only for projects of significant scale and impact.
BOTTOM OF PAGE: PROJECT EXPENSES/INCOME SUMMARY TABLE
At the bottom of the project budget form, the totals from each subtab you complete will
automatically populate in a summary table. Remember: your final total project income must
equal your total project costs/expenses. Refer to this summary table to confirm these sections
are equal before submitting your application.
BOTTOM OF PAGE: ADDITIONAL PROJECT BUDGET NOTES (OPTIONAL)
Text box: 750 character limit, including spaces.
Provide information to clarify any line item included in the project budget, or to provide further
details on the scope of your project budget.

Subtab 1: Project Expenses
Project expenses should include costs covered by both NEA funds and the Cost Share/Match.
At the bottom of the Project Expenses subtab, the TOTAL PROJECT COSTS/EXPENSES field will
auto-calculate with the combined sum of Total Direct Costs, and, if applicable, Indirect Costs.

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Projects with less than $50,000 in allowable costs (i.e., not showing the minimum National
Endowment for the Arts requested amount of $25,000 and the required organization 1:1 cost
share/match of $25,000) will be deemed ineligible and will not be reviewed.

DIRECT COSTS

Direct Costs are those that are expended specifically for the project during the period of
performance. The TOTAL DIRECT COSTS field at the bottom of the page will auto-calculate the
total of all combined Direct Cost items listed in Salaries and wages, Travel, and Other expenses.
DIRECT COSTS: Salaries and wages
Covers compensation for personnel, both administrative and artistic, who are paid on a salary
basis. List key staff positions for the project. Combine similar job functions if necessary. Funds
for contractual personnel and compensation for artists who are paid on a fee basis should be
included below in DIRECT COSTS: Other, and not here.
•

Enter the title and/or type of personnel, the number of personnel, the annual or
average salary range, the percentage of time that will be devoted to the project
annually, and the dollar amount of the salary that is being allocated to the project
budget.
o These fields will not auto calculate horizontally across each line. The dollar amounts
in the last column will auto calculate vertically to tally the Total Salaries and Wages.

•

Salaries and wages for performers and related, or supporting personnel must be
estimated at rates no less than the prevailing minimum compensation as required by
the Department of Labor Regulations. (See Legal Requirements for details.)

NOTE: Only Salaries/wages/fringe benefits associated with managing the project or fundraising
the minimum required cost share/match for the project are allowable. General fundraising for
the organization or for other projects is not allowable.
FRINGE BENEFITS
Costs other than wages or salary that are attributable to an employee, as in the form of
pension, insurance, vacation and sick leave, etc. They may be included here only if they are not
included as indirect costs.
DIRECT COSTS: Travel
Travel costs must be estimated according to the applicant's established travel practice,
providing that the travel cost is reasonable and does not exceed the cost of air coach
accommodations.
•

Include subsistence costs (e.g., hotels, meals) as part of the "Amount" listed for each
trip, as applicable, unless these costs are included as part of an artist fee.

•

List all trips -- both domestic and international -- individually.

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•

All international travel must be specified by country of origin or destination and relate
to activity outlined in your narrative. International travel also must conform with
government regulations, including those of the U.S. Treasury Department Office of
Foreign Asset Control. If you are including international travel in this budget, all such
travel must be booked on a U.S. air-carrier when this service is available.

DIRECT COSTS: Other
If needed, group similar items together on a single line, with only one total cost.
May include the following project-related costs:
•

Artist fees (if paid on a fee and not salary basis), consultant fees, and contractual
services
o Artist fees may include, but are not limited to, compensation for: the creation of
new work, the presentation of new or existing work, educational activities,
community engagement, and travel/stipends/subsistence (if not already included
under Direct Costs: Travel).
 List the fees paid to each artist/artistic group separately where possible.
o List consultant and artist fees or contracts for professional services on consecutive
lines; do not scatter them throughout the list.
o Specify the number of persons, the service being provided, and the applicable fee,
rate, or amount of each.
o If you engage in contracts of more than $15,000, identify the item or service and its
relation to the project.
o For procurement requirements related to contracts and consultants, see 2 CFR
200.317-327.

•

Production/technical costs

•

Promotion, marketing, and outreach

•

Acquisition fees, rights

•

Evaluation and assessment fees

•

Telephone, photocopying, and postage

•

Supplies and materials

•

Publication, distribution, and translation

•

Transportation of items other than personnel

•

Access accommodations (e.g., audio description, sign-language interpretation, closed or
open captioning, large-print brochures/labeling).
o Videos, films, television broadcast projects, and virtual streamed events must be
closed or open captioned, and radio and podcast programs must be transcribed.
Applicants should check with captioning and transcription vendors, as well as
vendors for sign language interpretation and audio description, for cost estimates.
Rental/purchase of equipment

•

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o Clearly identify the rental of equipment versus the purchase of equipment.
o If you intend to purchase any equipment with a unit/item cost of $5,000 or more per
item and that has an estimated useful life of more than one year, you must identify
that item here. Provide a justification for this expenditure either in the Additional
Project Budget Notes section, or in your Project Description.
o Digital computers, mobile devices, or other new technologies are considered
supplies if less than $5,000 per item regardless of the length of useful life.
•
•

Portion of Space/Facilities costs such as mortgage principal, rent, and utilities, as
allocable to the project.
Other clearly identified project-specific costs.

INDIRECT COSTS
NEA applicants have the option to include Indirect Costs in their project budgets. They are not
required.
Indirect Costs are overhead, administrative, or general operating expenses that are not readily
identifiable with, or are difficult to assign to, a specific project. Nevertheless, these costs are
still necessary to the operation of the organization, the performance of its activities, and the
execution of its projects. Examples of Indirect Costs include the expenses associated with
operating and maintaining facilities and equipment, rent, utilities, supplies, and administrative
salaries.
To include these types of costs in a project budget, an applicant may choose ONE of the
following options (for help in determining which option to choose, see the Indirect Cost Guide
for NEA Grantees
A. If your organization does not have a federally negotiated indirect cost rate agreement (or
ICRA):
Option 1: Include a reasonable figure for “Overhead and Administrative Costs” as a line
item under the “Direct Costs: Other” section, and leave the Indirect Costs section blank.
•

This may be the best option if your organization can easily document the discrete,
specific expenses that would fit within this line item (i.e., payroll taxes, a percentage
of facility electricity use, the percentage of staff time for the administrative support
of a project), you may decide to use this option.

•

The total dollar amount indicated in this line has to be reasonable and consistent
with best practices in financial management. If you go with this option, it is
important that you do not simply use a percentage of your project budget. You must
be able to calculate the actual costs included in the line item.

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Option 2: Use a de minimis indirect cost rate of up to 10% of your modified total direct
costs. Modified Total Direct Costs include salaries and wages, fringe benefits, materials and
supplies, services, and travel. Modified Total Direct Costs excludes equipment, capital
expenditures, rental costs, scholarships and fellowships, among others. Additional
information on calculating Modified Total Direct Costs can be found at 2 CFR 200 Subpart A
Acronyms and Definitions (200.0 and 200.1).
B. If your organization currently has a federally negotiated Indirect Cost Rate Agreement:
Option 1: Use your negotiated indirect cost rate agreement. In this case, indirect costs are
prorated or charged to a project through a rate negotiated with the National Endowment
for the Arts or another Federal agency. Complete the information requested in the “Indirect
Costs (if applicable)” section accordingly. Enter the percentage of the ICRA as decimals.
•
•

Please note it is rare for applicants and grantees to the NEA to have an ICRA. This
option is most often relevant to colleges and universities.
Important: You may only use a Research Indirect Cost Rate Agreement for
applications to the NEA’s Office of Research and Analysis.

Option 2: You may choose not to use your Indirect Cost Rate Agreement. You may elect to
use one of the options listed above in section A.
C. If your organization has an expired federally negotiated Indirect Cost Rate Agreement:
If you had federally negotiated indirect cost rate agreement that is now expired, do not use
it. You may choose one of the options listed above in section A.

Subtab 2: Project Income
TOTAL COST SHARE/MATCH FOR THIS PROJECT*: The National Endowment for the Arts cannot
support more than 50% of a project’s costs, each applicant must obtain at least half the total
project cost from nonfederal sources. For example, for a request of $50,000, the total project
costs must be at least $100,000 and you must provide at least $50,000 toward the project from
nonfederal sources as the cost share/match.
Cost share/matching funds may be all cash or a combination of cash and in-kind contributions
as detailed below. If your cost share/match includes IN-KIND contributions, you must also
include them as direct costs to balance your budget. Asterisk (*) those funds that are
committed or secured.

APPLICANT CASH

Applicant Cash cost share/match refers to the cash contributions, grants, and revenues that are
expected or received for this project. Identify sources.
• Allowable sources of Cash funds include your own organization’s cash resources such as
grants from private foundations, corporate donations, individual donations, and ticket
sales, among others.
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•

Federal funds cannot be used as cost share/match for NEA awards.
o You may include grants from your state arts agency, regional arts organization, or
local arts agency as part of your cost share/match, as long as those grants do not
include subgranted federal funds or cost share/match. You can check with the
funder to confirm the source of the funding.
o Do not include any other National Endowment for the Arts or other federal grants -including grants from the National Endowment for the Humanities, U.S. Department
of Education, the National Park Service, etc. -- that are anticipated or received.

•

You may use unrecovered indirect costs as part of the cash cost share/match.
Unrecovered indirect costs generally are used only by large organizations such as
colleges and universities. Your organization must have a current federally-negotiated
indirect cost rate agreement to include unrecovered indirect costs.

THIRD-PARTY IN-KIND CONTRIBUTIONS

In-kind contributions are third-party donations of goods, facilities, or services used to meet the
cost share/matching requirement for a National Endowment for the Arts (NEA) award (2 CFR
200.1). The use and value of such third-party contributions must be properly documented.
• All third-party contributions must be necessary and reasonable for the project, and for
allowable costs.
•

Do not include goods, facilities, or services contributed by your own organization as
these are considered part of your own organization’s cash cost share/match.

•

To qualify as cost share/matching resources, the expenses associated with the in-kind
donations must be clearly identified as direct costs in the project budget to ensure their
allowability.

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Tab 7: Items to Upload
There are two types of required items to upload:
• Statements of Support
• Work Samples
Preparation
You should prepare your items well in advance of the deadline and have them fully ready to
upload once the applicant portal becomes available to you. Arrange the items in the following
order when uploading to the Applicant Portal:
• Statements of Support
• Image Work Samples
• Audio Work Samples
• Video Work Samples
• Documents
Below are the preparation instructions for required items to upload to the applicant portal.
These are a critical part of your application and are considered carefully during application
review. Submit items in the format and within the space limitations described. Only upload
materials that we request. Other items that you include will not be reviewed.

Statements of Support (PDF format only)
All Statements of Support must be combined into one single PDF document. Do not submit a
separate PDF file for each individual letter. You may submit up to 10 statements including, but
not limited to the below.
REQUIRED: Statement of support from the highest ranking official for the local government
(one-page limit, PDF format only) This statement must be the first page in your file. The
document should be a one-page formal statement of support, on appropriate letterhead, from
the highest ranking official for the local government (e.g., mayor, county executive, or tribal
leader). This statement of support should reflect the official’s familiarity with and support for
the project.
Many organization systems for local government exist. Provide in your statement of support a
sentence explaining why this official is the leader of the local government. For example, “In the
Village of XYZ, our city manager is the highest-ranking government official.”
NOTE: Applications without a statement of support from the highest ranking official for the
local government will be marked ineligible and will not continue to panel review.
REQUIRED: Statements of support from primary partners (one-page limit per statement, PDF
format only).
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If the lead applicant is a local government:
You must include a one-page statement from the nonprofit organization serving as the required
primary partner reflecting its support for and involvement in the project. For verification
purposes, include the name, phone number, and email of a contact person with the nonprofit
organization.
If the lead applicant is a public entity or a nonprofit tax-exempt 501(c)(3) organization:
You must include a one-page statement from the relevant local government agency or
department serving as the required primary partner, reflecting its support for and involvement
in the project. For verification purposes, include the name, phone number, and email of a
contact person with the local government. This is required in addition to a letter of support
from the highest ranking official.
If you list an organization or individual as an additional partner in your application, you may
include a one-page statement of commitment describing their support for and involvement in
the project. We encourage you to be selective in listing only the partners that are critical to the
project’s success. Do not provide general statements of support for your organization. Each
statement should be in PDF format only and include the name, affiliation, phone number, and
email address of the individual who provided it.
Statements from leaders and members of the community in which you are working, and/or
from community-based organizations, are also encouraged.

Work Samples
Work samples are a required component of your application and will be considered carefully
during the review process. The work samples are your primary way to show the level of design
or artistic excellence and artistic merit that you and your partners are capable of achieving. It is
up to you to determine the images or audio/video clips that are most relevant to and best
support your proposed project.
Select the format most appropriate to the artistic medium or discipline represented in your
project. Audio and video clips are intended to accommodate theater, dance, music, film, and
new media work samples (not slide shows of still images).
The work can be from any individual or partner involved in the project. Samples should be
recent, of high quality, and as relevant to the project as possible. See the following pages for
acceptable formats.
As review time is limited, be selective in what you chose to submit. We highly recommend
limiting your selections to three to four substantive work samples relevant to the project.
There is a limit of 250 MB for all of your work samples combined.
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Work Sample Limits:
Note: Panelists will spend no more than a total of 10 minutes reviewing work samples. To
enable efficient review by panelists, combine multiple images into a single PDF versus
uploading each image separately.
Type
Max. # Allowed

Images
20 images, preferably
in one single PDF

Documents
3 PDF documents

Max. Time Each
Sample

Videos
3 video selections
3 minutes each

Max. Size Each
Sample *

5 MB/20 pages if
combined in a single
PDF

5 MB/12 pages each 250 MB

File Types

jpeg or PDF with
images

PDF

PDF with links or avi, mov,
mp4, mpeg, wmv

* The combined storage for all work sample files uploaded to the Applicant Portal is 250 MB.
Information About Uploaded Files:
There can be a slight delay between the upload of your work samples and seeing them in the
Applicant Portal. This is particularly true for videos. For videos, the usual upload time runs five
to ten minutes. However, close to the deadline, this time may extend to as much as an hour.
Videos are placed in a queue to be converted for upload, and the more people uploading, the
longer the queue. Do not immediately assume that your upload failed; wait and try accessing
the material again.
Your file names must not:
• Exceed 100 characters.
• Begin with a space, period, hyphen, or underline.
• Contain these characters: #%&{}\<>*?/$!‘“:+`=|"@.
For each item that you upload, you will find a descriptive field into which you will enter the
following information, as appropriate:
Title box: Title each item with a unique name.
• For your statements of support, simply state the type of item.
• For digital image/document/video work samples, state the title of the work or
organization represented by the work sample.
Description box (500 Character Limit, including spaces):
For your statements of support, simply state the type of item.
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For digital image/document/video work samples:
• Designer(s) name, if relevant.
• Date of work/activity.
• Up to two sentences describing the work sample and how it relates to the project for
which you are requesting support.
Applicants submitting multiple images in a PDF should include the relevant information from
above with each image within the PDF. The descriptive field for the file should provide a brief
overview of the group of images as a whole.
Guidance for Digital images
Digital images should be combined in a single PDF file (up to 20 images) or may be uploaded as
individual JPEG files if necessary.
• Image size should be consistent. Medium to high resolution is recommended (e.g., 300
dpi).
• Include brief descriptive captions with the images on each page of the PDF (PowerPoint
can be a useful application to set up images and captions together), or together on a
single captions page at the beginning of the PDF.
• Do not submit PowerPoint or Word documents; save these files as PDFs.
• Name the PDF “Image Work Samples.”
Guidance for Documents
You may submit up to three PDF documents, each with no more than 12 pages. Excess pages
will not be reviewed by panelists.
Name the PDF “Document Work Samples,” or something more descriptive if you are submitting
more than one document.
Guidance for Video Samples
There are two options to upload your video work samples.
Option One (recommended): Upload a single PDF with links to your video work samples on an
external hosting site (e.g. Vimeo, YouTube, or a custom URL).
• Include each video link as a hyperlink on the page. You may provide titles and short
descriptions as context for the work sample for panelists. Include any necessary
information on required plug-ins, passwords, or navigation paths in order to view the
work samples. If applicable, include cue information to indicate the start of each
selection.
• Name the PDF “Video Work Samples.”
• Do not submit links to sites that require work samples to be downloaded (e.g., Dropbox),
or sites that require a user account.
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Option Two: Individually upload each video work sample. File size restrictions may prohibit you
from using this option, see details below. To upload each video file:
• Upload the file directly into the Applicant Portal.
• You may provide titles and short descriptions to provide context for panelists using the
text box provided during the upload process.
• If applicable, include any cue information to indicate the start of each selection.
If your files exceed the file size limitations, follow the instructions outlined in Option One
described above.

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Tab 8: Organization & Project Data
The National Endowment for the Arts collects basic descriptive information about all applicants
and their projects. The information that follows will help the National Endowment for the Arts
to comply with government reporting requirements, and will be used to develop statistical
information about the organizations and projects it funds to report to Congress and the public.
Your responses will not be shared with panelists or used as a factor in the review of your
application.
APPLICANT ORGANIZATION STATUS*
Choose one from the following:
• Nonprofit Organization
• Municipal Government
• State Government
• County Government
• Tribal Government
• None of the Above
APPLICANT ORGANIZATION DISCIPLINE*
Select the primary discipline that is most relevant to your organization. This refers to the
primary artistic emphasis of your organization. Choose one from the following:
• Local Arts Agency
• Presenting &
• Artist Community
Multidisciplinary Work
• Media Arts
• Arts Education
Organization
• Museums
Organization
• Theater
• Music
• Dance
• Visual Arts
• Musical Theater
• Design
• None of the Above
• Opera
• Folk & Traditional
•

Literary Arts

ADDITIONAL APPLICANT ORGANIZATION DISCIPLINE (OPTIONAL): You may select two
additional disciplines for your organization, if relevant.
PRIMARY PARTNER ORGANIZATION DISCIPLINE*
Select the primary discipline that is most relevant to your primary partner's organization. This
refers to the primary artistic emphasis of your primary partner's organization. You will choose
one from the same list of options as "Applicant Organization Discipline" (see above). You will
also have the option of selecting three additional descriptions for your primary partner's
discipline, though this is not required.
APPLICANT ORGANIZATION DESCRIPTION*
Select a description that most accurately describes your organization. Choose one from the
following:
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•
•
•
•
•
•
•
•
•
•

Artists' Community,
Arts Institute, or Camp
Arts Center
Arts Council / Agency
Arts Service
Organization
College / University
Community Service
Organization
Design Organization
Fair / Festival
Foundation
Gallery / Exhibition
Space

•
•
•
•
•
•
•
•
•
•
•
•

Government
Historical Society /
Commission
Humanities Council /
Agency
Independent Press
Library
Literary Magazine
Media-Film
Media-Internet
Media-Radio
Media-Television
Museum-Art
Museum-Other

•
•
•
•
•
•
•
•
•
•

Performance Facility
Performing Group
Presenter / Cultural
Series Organization
Religious Organization
School District
School of the Arts
Social Service
Organization
Tribal Community
Union / Professional
Association
None of the Above

ADDITIONAL ORGANIZATION DESCRIPTION (OPTIONAL): You may select two additional
descriptions for your organization, if relevant.
PREPAREDNESS PLANS*
Does your organization have a disaster preparedness plan (i.e., plans to handle disasters and
emergencies such as floods, hurricanes, pandemics, and human-made disasters)?
Choose: Yes or No
OUR TOWN PROJECT TYPE*
Select the option that best describes your proposed project's category:
• Artist residency
• Arts festivals
• Community co-creation of art
• Performances
• Public art
• Temporary public art
• Cultural planning
• Cultural district planning
• Creative asset mapping
• Public art planning
• Artist/designer-facilitated community planning
• Design of artist space
• Design of cultural facilities
• Public space design
• Creative business development
• Professional artist development

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OUR TOWN ADDITIONAL PROJECT TYPES:
Optionally, choose up to two additional types from the above list.
PROJECT ACTIVITY TYPE*
Select the option that best describes the type of project you are proposing:
• Apprenticeship/Mentorship
• Arts & Health Includes projects that support the delivery of creative arts therapies in
healthcare and non-healthcare settings. Also includes projects that place arts activities
in healthcare settings, and/or that seek to improve service delivery by healthcare
professionals.
• Arts Instruction Includes lessons, classes and other means to teach knowledge of and/or
skills in the arts
• Artwork Creation Includes media arts, design projects, and commissions
• Audience Services (e.g., ticket subsidies)
• Broadcasting via TV, cable, radio, the Web, or other digital networks
• Building Public Awareness Activities designed to increase public understanding of the
arts or to build public support for the arts
• Building International Understanding Includes activities that either bring international
art and/or artists to the U.S. or bring American art and/or artists to other nations
• Concert/Performance/Reading Includes production development
• Curriculum Development/ Implementation Includes design, implementation,
distribution of instructional materials, methods, evaluation criteria, goals, objectives,
etc.
• Distribution of Art (e.g., films, books, prints; do not include broadcasting)
• Equipment Purchase/Lease/Rental
• Exhibition Includes visual arts, media arts, design, and exhibition development
• Fair/Festival
• Identification/Documentation (e.g., for archival or educational purposes)
• Marketing
• Presenting/Touring
• Professional Development/Training Activities enhancing career advancement
• Professional Support: Administrative Includes consultant fees
• Professional Support: Artistic (e.g., artists' fees, payments for artistic services)
• Publication (e.g., books, journals, newsletters, manuals)
• Recording/Filming/Taping (e.g., to extend the audience for a performance through
film/tape audio/video; do not include archival projects)
• Repair/Restoration/Conservation
• Research/Planning Includes program evaluation, strategic planning, and establishing
partnerships
• Residency - School Artist activities in an educational setting
• Residency - Other Artist activities in a non-school setting
• Seminar/Conference
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•
•
•
•
•
•

Student Assessment Includes measurement of student progress toward learning
objectives. Not to be used for program evaluation.
Subgranting – Local Arts Agencies only
Technical Assistance with technical/administrative functions
Web Site/Internet Development Includes the creation or expansion of Web sites,
mobile and tablet applications, the development of digital art collections, interactive
services delivered via the Internet, etc.
Writing About Art/Criticism
None of the above

ADDITIONAL PROJECT ACTIVITY TYPE (OPTIONAL): You may choose up to two additional types
from the above list.
ORGANIZATIONAL LEADERSHIP/STAFFING QUESTION (OPTIONAL)
Text box: 750 characters, including spaces
As part of the NEA’s commitment to DEIA, we are interested in learning more about applicants’
organizational structures. How does your organization’s governance and staff reflect the
composition of the community (or communities) served by your organization?
NOTE: This question is optional. Your response will not be seen by panelists evaluating your
application. It is for research purposes only. Your response will not be used in panel
deliberations or in making funding decisions related to grant awards.
PROPOSED BENEFICIARIES OF PROJECT (OPTIONAL)
Select all groups of people that your project intends to serve directly. NOTE: This question is
optional. Your response will not be seen by panelists evaluating your application. It is for
research purposes only. Your response will not be used in panel deliberations or in making
funding decisions related to grant awards.
RACE/ETHNICITY: (Optional, choose all that apply)
U.S. federal government agencies must adhere to standards issued by the Office of
Management and Budget (OMB) in October 1997, which specify that race and Hispanic
origin (also known as ethnicity) are two separate and distinct concepts. These standards
generally reflect a social definition of race and ethnicity recognized in this country, and they
do not conform to any biological, anthropological, or genetic criteria. Origin can be viewed
as the heritage, nationality group, lineage, or country of birth of the person or the person’s
ancestors before their arrival in the United States.
•
•
•

No specific racial/ethnic group
American Indian or Alaskan Native - A person having origins in any of the original
peoples of North and South America (including Central America) and who maintains
tribal affiliation or community attachment.
Asian - A person having origins in any of the original peoples of the Far East,
Southeast Asia, or the Indian subcontinent including, for example, Cambodia, China,
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FY24 Application Instructions: Part 2

•
•
•
•

India, Japan, Korea, Malaysia, Pakistan, the Philippine Islands, Thailand, and
Vietnam.
Black or African American - A person having origins in any of the Black racial groups
of Africa.
Hispanic or Latino - People who identify their origin as Hispanic, Latino, or Spanish
may be of any race.
Native Hawaiian or Other Pacific Islander - A person having origins in any of the
original peoples of Hawaii, Guam, Samoa, or other Pacific Islands.
White - A person having origins in any of the original peoples of Europe, the Middle
East, or North Africa.

AGE RANGES: (Optional, choose all that apply)
•
•
•
•
•

No specific age group
Children/Youth (0-17 years)
Young Adults (18-24 years)
Adults (25-64 years)
Older Adults (65+ years)

UNDERSERVED GROUPS/COMMUNITIES: (Optional, choose all that apply)
•
•
•
•
•
•

Geography
Economic Status
Race or Ethnicity
Disability
Other limiting factors, please specify:
No specific underserved group/distinct group

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FY24 Application Instructions: Part 2

Submit the Grant Application Form
We strongly urge you to complete and submit the Grant Application Form and upload
materials outside of the hours of heaviest usage, which are generally 8:00 p.m. to 11:59 p.m.,
Eastern Time, on the day of the deadline. Staff will not be available to help you after 5:30 p.m.,
Eastern Time.
Submit your materials prior to the deadline to give yourself ample time to resolve any problems
that you might encounter. You take a significant risk by waiting until the day of the deadline to
submit. When in doubt, contact your discipline specialist.
Step 1: Validate
• To submit your application, you must provide a response to every item denoted with a
red asterisk (*).
• Click the 'Validate' link found at the top right corner of the page.
o Click either 'Validate All' to validate all the tabs or select each link to validate
separately.
o When the Validate button is clicked, the application will search for errors.
o If there are no errors, the 'Validate' link will change to green and each tab will have a
check mark by it.
o To clear validation messages, press the Esc key.
• This feature does not check to be sure that your application is complete. Carefully
review the application instructions to be sure you have submitted each required item.
Step 2: Click Save and Submit
• The “Submit” button is only visible when you are on Tab 8: Organization & Project Data.
• You must click “Save” and then “Submit.” If you do not click the "Submit" button, your
application will not be received.
• After submitting your application, you may log back into the Applicant Portal and make
changes to your submission up until the system closes at 11:59 p.m., Eastern Time, on
the day of the deadline. Click “Save” and “Submit” again when you are finished with any
edits.
Step 3: Confirm Submission
• Ensure that your application was received by logging in to the Applicant Portal. On the
first screen it will say “Submitted” if your application has been received. If your
application has not yet been received, it will say “In Progress.” Maintain documentation
of your successful submission by taking a screenshot.
• You may use the “Print” function in the upper right corner to create a printable version
of your application. You may save this as a separate file by either choosing “Save as
PDF” from your print dialogue box, or by copying and pasting into a separate document.
We strongly recommend that you save a final copy right after you click Submit.

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Project Updates
If new information that significantly affects your application (including changes in artists or
confirmed funding commitments) becomes available after your application is submitted, send
that information immediately to the specialist for the field/discipline of your project. Include
your organization's name and application number on any such submission.

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File Typeapplication/pdf
AuthorLara Allee
File Modified2022-08-25
File Created2022-08-25

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